But if you want to add a bit of prestige to your supernatural soundtrack, there’s another list of Halloween-friendly songs to check out — one that highlights another celebrated annual occasion. With Halloween celebrations in full swing this Oct. 31, revisit some eerie or ghoulishly titled songs that have been awarded golden gramophones, from the ‘Exorcist’ theme to Eminem and Rihanna’s “The Monster.” More than 40 years later, she’s still happy to discuss and play that single she recorded back in Kingston as a young woman.
Why Rihanna’s expanding Clara Lionel Foundation is seen as a model for celebrity philanthropy
Janelle Monáe featured Nancy not once but twice on 2023’s Album Of The Year-nominated The Age Of Pleasure, and sampled “Bam Bam” on “Water Slide.” In further recognition of her impact, Burberry asked Sister Nancy to participate in their spring/summer 2024 campaign, which was shot in Jamaica. She’s performed on global stages and can be seen regularly at New York hotspots such as Union Pool, Public Records, and S.O.B.’s. After hearing Nancy on Hot 97’s “Ebro In The Morning,” Jay-Z flew the legend to Jamaica to sing and feature in his hybrid music video-documentary. Kanye West prominently sampled “Bam Bam” in the Rihanna-featuring “Famous”; Nancy’s chorus comes in midway through the song, adding an ethereal quality to West’s braggadocio. With her rights restored, Sister Nancy’s trajectory changed dramatically in the latter half of the 2010s — due in no small part to nods and samples from two of hip-hop’s biggest artists. “I just couldn’t take no more. I just say it’s time for me to be compensated, and I just did what I had to do,” the icon says of her legal battle for royalties.
From becoming the first woman and only artist to win a GRAMMY for Album Of The Year four times, to dealing with heightened media scrutiny, to breaking records with her Eras Tour, no one understands the highs and lows of being a showgirl like Swift. Fans rejoiced at having songs to comfort them during difficult times, and artists like Maya Hawke, Gracie Abrams, and Sabrina Carpenter credit folklore for inspiring them to create and be even more emotionally honest in their songwriting. Other songs, including “Death By A Thousand Cuts” and “Cornelia Street,” are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone. When Swift released the lead single “Look What You Made Me Do,” a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama. The album also earned Swift several awards — including her second Album Of The Year GRAMMY, which made her the first female artist to ever win the award twice.
She formed a girl group with two classmates; when they were 15 years old, they scored an audition with music producer Evan Rodgers, who was visiting the island with his Barbadian wife. She is also a businesswoman who owns multiple ventures, including the popular cosmetics line Fenty Beauty and the lingerie brand Savage X Fenty. For her work on the single, Rihanna received her first Academy Award nomination, for best original song. Rihanna began working on a new record, but the project was delayed as she took a break from music.
The Tortured Poets Department proves that in the throughline of Taylor Swift’s many artistic eras is a commitment to exploration and a love of autobiographical lyricism. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift’s work. Country songs like “cowboy like me” and “no body, no crime” reaches back to Swift’s earlier work in narrative building, seamlessly crafting a three-party story with ease.
Off stage, though, she was falling in love again — this time with someone who championed her just as much as the fans did in the areas. It’s apt that she would turn to Max Martin and Shellback, her 1989 and reputation collaborators, to bring that same captivating pop soundscape to The Life of a Showgirl and to capture some of the energy Swift was experiencing. And after two decades in the business, the 14-time GRAMMY winner is giving everyone a glimpse of what she describes as “the most infectiously joyful, wild, dramatic” chapter of her life thus far.
She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. Crafting a world with characters like the folklore love triangle between those in “betty” and “august,” as well as Rebekah Harkness from “the last great american dynasty” (who once lived in Swift’s Rhode Island mansion), was Swift’s way of venturing outside her typical autobiographical style of writing. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
Throughout The Life of a Showgirl, Swift, Martin and Shellback craft tracks that go beyond what they created with 1989 and reputation. Reuniting with her pop powerhouse collaborators Max Martin and Shellback, who worked on her biggest pop radio hits like “We Are Never Ever Getting Back Together,” “Delicate,” “Blank Space,” and “Shake It Off,” was a return to form after the fog of TTPD. (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”) On “The Life of a Showgirl,” she declares with her fellow showgirl that she isn’t handing over the baton just yet. The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.
A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week. Impressed, Rogers arranged a second meeting with Rihanna and her mother—this time without the other two girls—and later invited them to his hometown in Connecticut to record demo tapes for record label submissions. Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey. She is the highest-certified female digital single artist by the Recording Industry Association of America, and has seven diamond-certified singles and fourteen number-one singles on the Billboard Hot 100. These albums contained the US number-one singles “Rude Boy”, “Only Girl (In the World)”, “What’s My Name?”, “S&M”, “We Found Love”, “Diamonds”, and “Work”. The albums spawned the singles “Pon de Replay” and “SOS”, which peaked at numbers two and one on the US Billboard Hot 100, respectively.
Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.
Jess Cartner-Morley of The Guardian called her wardrobe “the most talked-about, influential and dissected in pop”, stating that whatever she wears is quickly reproduced in mainstream fashion. Rihanna has credited her mother as the earliest inspiration for her love of fashion, recalling how she admired her getting dressed as a child. With the release of her third album Good Girl Gone Bad (2007), Rihanna abandoned her innocent image in favour of a sharper, edgier style. Known for her changing style and image, Rihanna’s music and fashion choices have been closely followed by the media. Rihanna has been described by the media as a pop and fashion icon, particularly since the release of Good Girl Gone Bad (2007). InStyle’s George Epaminondas described Rihanna’s videos as cinematic and highlighted their island rhythms, pop sensibilities, and playful sensuality.
And in true Swiftian fashion, turning into a pop artist didn’t just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience “intense love, intense frustration, jealousy and confusion” — all feelings that she’d describe as “red.”
Filmography
In 2015, Rihanna became the first artist in history to have 100 million singles digitally downloaded and streamed. Interestingly, Unapologetic was the first Rihanna album to hit No. 1 on the pop charts. “Umbrella” topped the Billboard singles chart and earned Rihanna her first Grammy Award for Best Rap/Sung Collaboration. In 2007, Rihanna effected a transformation from teen pop princess to superstar and sex symbol with her third album, Good Girl Gone Bad, fueled by its smash hit lead single “Umbrella,” featuring Jay-Z. In early 2011 the album’s sexually provocative single “S&M” became her 10th number one Billboard hit—which made her, at age 23, the youngest artist ever to reach that milestone.
- Proceeds from the single supported the fundraiser, which ultimately helped raise $100 million for cancer research.
- She also established a photography agency, A Dog Ate My Homework, representing photographers Erik Asla and Deborah Anderson.
- Released on November 20, Rated R marked a shift away from the upbeat sound of Rihanna’s earlier albums, embracing a darker, more introspective tone with rock influences.
- “I just couldn’t take no more. I just say it’s time for me to be compensated, and I just did what I had to do,” the icon says of her legal battle for royalties.
- “Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful.
- Her sophomore effort, A Girl Like Me, followed in April 2006, incorporating reggae, rock, and pop influences.
- “She continued to make incredible art and so this is a love song kind of through the lens of the motif of what she had to go through in her life and sort of the parallels that I feel in my own life.”
Her musical career has been marked by experimentation, and she has stated that her goal was “to make music that could be heard in parts of the world that I’d never been to”. She began vocal training during the recording of Good Girl Gone Bad (2007) under the guidance of Ne-Yo, who taught her breathing techniques and vocal delivery. The song earned her nominations for the Golden Globe and Academy Award for Best Original Song. Alongside Donald Glover, she starred in the film Guava Island (2019), in which she played his character’s love interest.
Music of the Sun
Retrospective and reflective, Speak Now is an album about the speeches she could’ve, would’ve and should’ve said. The album’s title track pulled from the saying, “Speak now or forever hold your peace,” inspired by a friend’s ex-boyfriend getting engaged; meanwhile, “Mean” was everything Swift wanted to say to a critic who was continuously harsh about her vocals. Along with having more eyes on her, Swift also felt pressured to maintain her persona as a perfect young female role model amid a time when her peers like Miley Cyrus and Demi Lovato were attempting to rebrand to be more mature and sexier. But this meant that she faced more publicity and criticism, from naysayers who nitpicked her songwriting and vocals to the infamous Kanye West incident at the 2009 MTV Video Music Awards.
Production country
Her ability to captivate audiences across both music and film realms underscores her dynamic artistry and continued relevance in the entertainment industry. Her involvement in these projects demonstrated her ability to transition from pop music icon to a prominent figure in film. Her debut album, “Music of the Sun,” released in 2005, marked the beginning of her remarkable career, selling over two million copies worldwide. At the age of 15, she formed a girl group with school friends, which paved the way for her discovery by music producer Evan Rogers. With her distinct voice, groundbreaking style, and philanthropic contributions, Rihanna continues to leave an indelible mark on both the music industry and popular culture. Transitioning from a teen pop sensation to a mature artist, Rihanna’s work reflects her evolving artistic vision.
In turn, Swift hasn’t just become one of the biggest artists of all time — she’s changed pop music altogether. Since then, she’s released 12 studio albums, re-recorded four as “Taylor’s Version,” and cultivated one of the most feverish fan bases in music. Furthermore, the deluxe edition consists of 16 tracks, half of which topped the Dance Club Songs chart — smashing the record (previously held by Katy Perry’s Teenage Dream) for the most No. 1s from a single album. “Same Ol’ Mistakes” is a cover of psychedelic rock band Tame Impala’s “New Person, Same Old Mistakes” — her first time remaking another artist’s song for her own album since “You Don’t Love Me (No, No, No)” on Music of the Sun. The album feels like one big celebration of life, as evidenced by Rihanna’s fire-engine red hair and No. 1 singles “Only Girl (In the World)” and “What’s My Name?” (the latter of which was Rih’s first collaboration with Drake). Despite being Good Girl Gone Bad’s lowest-charting single, Timberlake heralded the song as “the bridge for her to be accepted as an adult in the music industry.”
- This wealth is a result of her multifaceted career, which extends beyond music to include ventures in fashion, beauty, and film.
- Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered.
- With an eclectic blend of genres such as pop, dancehall, and psychedelic soul, Anti peaked at number one on the Billboard 200, marking her second chart-topping record in the US.
- Since then, she’s released 12 studio albums, re-recorded four as “Taylor’s Version,” and cultivated one of the most feverish fan bases in music.
- To celebrate her success in the music business and beyond, Rihanna is releasing “R20” merch and a vinyl album boxed set, which are available for pre-order on her official online store.
- It topped the Billboard Hot 100 for seven consecutive weeks and peaked at number two in the UK; it was also the latter country’s best-selling song of 2010.
Adopting a more mature image, Rihanna rose to stardom and transitioned to dance-pop and R&B with the album Good Girl Gone Bad (2007) and its reissue, subtitled Reloaded (2008). Known for her artistic reinventions, she is an influential figure in both music and fashion. She’s closing a chapter of her life — saying goodbye to the heartbreaks, pleading and scrutiny — and embracing a new, well, era that was quietly created during the behind-the-scenes of The Eras Tour. At its heart, The Life of a Showgirl goes beyond the fame, accolades, praise, and anything else Swift has been awarded in her 20-year career. Swift herself has long embodied independence through redefining over and over what it means to be a pop star for over two decades.
Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates. And with that tour having celebrated her life’s work up to now, The Life of a Showgirl feels like the exhale before a brand new beginning. “That always chokes me up because it transports me right back to that actual memory of standing on that stage for the last time on that tour that was so important to me, and the tour that really inspired this album. So it’s the last track of the album and a really special one to me.” For a project about being a showgirl, introducing people to the concept of the album at the end was puzzling for some. For her, finding a balance between betista casino her career and love, and realizing that they can coexist, makes this album one of Swift’s most — if not the most — romantic to date. Yet these songs admit that she doesn’t want to carry it all alone; she wants partnership, to build something with someone else.
